A blank piece of paper or a blank canvas is often a nightmare for
writers and painters. As a sculptor, you have it easy,
at least you have a chunk of rock or a shapeless lump
of clay you can sink your teeth in. Even photographers
have it easy, there's always something in front of your lens,
even if that is still
out of focus, there is already
something of form, color, movement.
Blank, for most people, is something ominous, the feeling of not knowing what to do and not know how to behave. Form, opinion, judgment and emotion gives something to hold on to, even if this grip is scary or improbable, a grip is a grip.
As a child I looked under my bed at least ten times before I dared to go to
sleep. The folds in the curtain
all by themselves became a robber with a
dull ax and how ever scary
the robber was in
my eyes, he had a form with matching emotion
and that made it manageable. Later I learned to transform the robber into a giant
rabbit with three ears or a fat woman with
huge breasts, but it never became the curtain.
Lately, my hunger for blank increased enormously. Not know and to find
no support in form
of emotion is a
sometimes confusingly liberating.
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